Contents |
Music and the macrocosm: disorder and history -- "Stay, you imperfect speakers, tell me more" -- "Remember me, but ah, forget my fate" -- "O let us howle some heavy note" -- Disorder in the eighteenth century. |
Abstract |
This book focuses on the various ways that theatrical music represented disorderly subjects--those who presented either a direct of metaphorical threat to the health of the English kingdom in seventeenth-century England. Using theater music to examine narratives of social history, she demonstrates how music reinscribed and often resisted conservative, political, religious, gender, and social ideologies. |
Bibliography note | Includes bibliographical references (pages 209-222) and index. |
LCCN | 2006008072 |
ISBN | 0253348056 (cloth : alk. paper) |
ISBN | 9780253348050 |